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ik multimedia pedal IK Multimedia TONEX Pedal Amplifier/Cabinet/Pedal Modeler – nafiriguitar.comTake the groundbreaking guitar modeling might of the IK Multimedia TONEX ecosystem out of the studio and onto the stage with the TONEX Pedal! In a nutshell, this pedal is a portable, computer free way to access your TONEX Tone Model library, with a whopping 150 preset slots to store your favorite amplifiers, cabinets, pedals, and full size rig models. IK Multimedia also grants you access to 1,000 of their Premium Tone Models (accessible via the
Take the groundbreaking guitar modeling might of the IK Multimedia TONEX ecosystem out of the studio and onto the stage with the TONEX Pedal! In a nutshell, this pedal is a portable, computer-free way to access your TONEX Tone Model library, with a whopping 150 preset slots to store your favorite amplifiers, cabinets, pedals, and full-size rig models. IK Multimedia also grants you access to 1,000 of their Premium Tone Models (accessible via the included TONEX MAX software and the TONEX app), containing near-indistinguishable replications of some of the world’s rarest and most sought-after gear. Still, that’s only the beginning of the TONEX Pedal’s stage and studio utility with 5-pin MIDI I/O, USB audio interface functionality, stereo output, built-in effects, VIR cabinets, and much more, the TONEX Pedal’s all-encompassing feature set is all but guaranteed to become the centerpiece of your next stage or studio rig.150 world-class Tone Models
The TONEX Pedal harnesses the power of IK Multimedia’s cutting-edge AI Machine Modeling technology to deliver you up to 150 studio-grade Tone Model presets at any one time. This pedal is essentially the world’s most well-stocked studio guitar locker in an easily portable pedal format, packed to the brim with exact tonal replicas of the world’s most sought-after amplifiers, pedals, cabinets, and even full-size rigs. Plus, while IK provides 1,000 premium tone models right out of the gate, you can also download unlimited free user models for a truly endless assortment of tones.
The centerpiece of your TONEX ecosystem
While the TONEX Capture and TONEX software are excellent choices for musicians at home or in the studio, the TONEX Pedal is a performing musician’s dream! Boasting an exceptionally straightforward control scheme with three footswitches to swap between your presets, an assortment of knobs, and an easy-to-read screen allows you to take your TONEX models out of the studio and straight onto the stage — no computer necessary. Moreover, when testing the TONEX Pedal, we were incredibly impressed by its straightforward operation. The TONEX Pedal may be host to some of the most advanced modeling technology in the guitar world, but operating it still feels like tweaking a pedal or dialing in a traditional amplifier.
Ultra-realistic VIR cabinet simulations
The TONEX Pedal comes equipped with a host of IK Multimedia VIR (Volumetric Impulse Response) cabinet simulations to offer the most true-to-life Tone Models possible. These top-class simulations utilize hundreds of IRs per cabinet to capture every nuance and detail of playing through a traditional speaker cabinet in the flesh. What’s more, the TONEX Pedal is also fully compatible with custom IRs. You can even create a cab sim of your favorite speaker cabinet using TONEX Capture or TONEX Software.
Effortless home recording
For all the TONEX Pedal’s performance-minded features, make no mistake: this pedal is primed for the studio. In fact, the TONEX Pedal doubles in function as a full-fledged USB audio interface, allowing you to lay down studio-quality guitar tracks in your DAW of choice with just your instrument and the TONEX Pedal. Lastly, a rear-panel headphone jack allows for simple direct monitoring of your tone and makes the TONEX Pedal an endlessly convenient noise-free practice partner.
IK Multimedia TONEX Pedal Features:
- Puts the power of IK Multimedia’s state-of-the-art TONEX ecosystem at your feet
- Includes TONEX MAX software and IK Multimedia's AmpliTube 5
- Can hold up to 150 separate TONEX Tone Models of your favorite pedals, amps, cabinets, or whole-rig models at once
- Comes with 1,000 Premium Tone Models from IK Multimedia right off the bat, with limitless access to free user Tone Models on ToneNET
- Download your preferred Tone Models using TONEX software, or you can even capture your own gear with TONEX Capture
- Access your preferred TONEX models using the free TONEX iOS app
- Load up your own custom IRs to perfectly dial in your tone
- 150 presets organized into 50 banks of three preset slots for quick access
- Parametric EQ, gain control, and volume to adjust your sound for your respective application
- Built-in utility effects including an advanced noise gate, compressor, 5 stereo reverbs, and analog-modeled EQ
- Straightforward operation with an easy-to-read screen
- Functions as a 24-bit/44.1kHz USB audio interface for effortless guitar tracking
- Headphone out for quiet practice and recording
- Full MIDI functionality for enhanced control, with 5-pin DIN I/O
- Crafted in Italy with top-quality construction, including a road-ready aluminum chassis
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4.3 ★★★★★
Based on 26 reviews
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Product Reviews
★★★★★ 5
We can all be wise men bearing gifts to Jesus
Format: Hardcover
Faith, hope, and charity are not just virtues that we can develop to bring ourselves closer to God and our fellow person but they are also gifts that we can bring to God, writes this household preacher to two Popes. Cardinal Cantalamessa writes on serious topics with an accessible and joyful style that welcomes the reader to see him or herself as one of the Magi bringing precious and deeply meaningful gifts to Christ.
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Reviewed in the United States on November 14, 2024
★★★★★ 5
Cardinal Cantalamessa is a Saint!
Format: Hardcover
This book has the wisdom of the fathers infused with the gentle Grace of the Holy Spirit, written for modern day Christian readers.
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Reviewed in the United States on December 20, 2024
★★★★★ 4
Beautiful and profound, albeit flawed
Format: Hardcover
What I'd really like to rate this is 4 1/2 stars, because it isn't perfect, but it's better than a 4. I just can't bear to give it a 5, for reasons described below.
The book has three main parts, each named for a theological virtue of the title. Altogether there are 40 chapters: 14 dedicated to faith, 10 to hope, and 16 to charity. A couple of "Bonus" chapters called "Excursus" take up some interesting theological questions that are related but don't quite fall under any one topic: did Jesus possess the theological virtues? and From God as Love to the Filioque.
The book is deeply learned and cites theologians through the centuries, including a few I'd never heard of despite a lot of formal and informal theological study. Of course you meet the usual suspects such as Origen, pseudo-Dionysius, Augustine, Thomas Aquinas, Catherine of Siena, John of the Cross, Mother Teresa, and others; but: have YOU heard of St. Zeno of Verona before? If not, you're in for a treat!
The text has more of an Augustinian flavor than a Scholastic one. (I should qualify that claim by admitting that I am at best an armchair theologian, so don't quote me on that.) But, for example: Chapter 39 discusses Beauty, uses the idea of God's eternal Beauty to explain the Trinity, and concludes with St. Augustine's "recipe" for becoming beautiful. Indeed, an in-depth discussion of the Trinity doesn't appear at all until Part 3 on Charity, rather than in the chapter on Faith!
An important distinction that Fr. Cantalamessa draws is between "objective" aspects of a theological virtue and the "subjective" aspects of the same. The "objective" aspects refer to the object of the virtue, such as God Himself; the "subjective" aspects refer to how we experience them. He points out that, historically, the "objective" view tended to predominate in theological discussion, whereas the "subjective" view tends to dominate more recently, almost to the exclusion of the objective. It will probably not surprise the reader that Fr. Cantalamessa, former Preacher to the Papal Hosuehold, comes down squarely in the Catholic approach of "both/and", and he elaborates on this.
A very appealing aspect of this book is the occasional use of parable and analogy to explain difficult subjects: a parable on trying to justify ourselves by our works (Ch. 7), analogies for "the hint that God exists" (ch. 5), the analogy of the seed (ch. 14), an analogy that hope needs difficulties and tribulations (ch. 22), the Trinity (ch. 29), God's love for us is erotic (ch. 34), and how we might hope that even Nietzsche can be saved (ch. 37). Many analogies, though not all, are drawn from ordinary family life: a mother's love for a child, a child's temper tantrum before collapsing in tears on a parent. These are powerful and effective.
Unfortunately, I can't rate it 5 stars, because the text seems to consider its audience to be the average educated lay Catholic, but there are two serious weaknesses both for the theological newbie and even for the theological adolescent.
One is the use of many unfamiliar terms, some of them merely transliterated from Greek, and no definition given anywhere -- often, not even a hint of what the word may mean. In some cases this can make it difficult to follow the discussion. For instance, the text dedicates two entire chapters to the question of justification, which makes sense given that it's an important topic in the realm of faith, and it's important to take it seriously. But the book never once provides a definition, which suggests the reader should be familiar with the term already. I guarantee you most people don't know what the word means. But even if you think that a definition of "justification" will indeed come tripping off the average reader's tongue, I challenge you to make a case for terms like ontological, parousia, and parenesis. I've been reading Catholic theology for 30 years and parenesis is a new one even to me. Sure, the reader might could look them up, and I'm glad to expand my vocabulary, but who's the audience here? If the text is meant only for seminarians, then never mind, but given how Word on Fire is marketing this I really don't think that is the case.
The second major weakness is all the more disappointing, as it is so common to contemporary works of theology: when newer developments seem to contradict past dogma or even Scripture itself, pretend the dogma and Scripture doesn't exist. This happens at least twice:
1) Surely Fr. Cantalamessa is not unaware that Scripture both Old and New is replete with references to Christ "ransoming" us from God's wrath. Yet there he is in Chapter 31, not merely acting as if it doesn't exist, but contemptuously dismissive of the notion! Grant the Scholastics this much: at least they took Matthew 20.28, Romans 1.18, Romans 2.5-8, 1 Timothy 2.6, 1 Peter 1.18-19, and Revelation 19.15 seriously enough to wrestle with them.
2) Similarly, the Council of Florence made certain pronouncements on "those existing outside the Catholic Church" and "the souls of those who depart this life in actual mortal sin, or in original sin alone." Chapter 14 acts as if they do not exist. I do not for a moment mean to advocate for the "glass half-empty" interpretation of these pronouncements that predominated theological discourse for centuries, let alone for Feeneyism, but we ignore them at our peril, if only because ignoring them leaves a great big breach in the apologetic wall that will come under assault both from those who do reject the Second Vatican Council and from hostile Protestants more knowledgeable of Catholic theological history than the average Catholic and, one half-wonders, the average Catholic theologian.
Those drawbacks, while severe enough in my eyes to warrant mention and deduct a star, do not for a moment take away from the beauty and profundity of the rest of this work. I am very glad to have had the chance to read it; it has challenged me both intellectually and spiritually, and I have given it to my (late teenage) children to read and discuss with me. It is absolutely worth reading, and you WILL get a lot out of it. Just be ready for the challenge.
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Reviewed in the United States on July 25, 2025
★★★★★ 5
OPEN YOUR EYES
Format: Paperback
Great book! Open your eyes sheep..... there is much more to this world that we know of. Authority figures have lied to us long enough..... do your own research. This book is a great example of what we were not taught in school! Well written.
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Reviewed in the United States on February 14, 2021
★★★★★ 4
Great speculation from the "Alternative Camp"
Format: Paperback
According to John Anthony West it was not until the second half of the twentieth century that "guerilla scholarship" became a noticeable, if uncoordinated force in modern science. Guerilla scholarship of course, refers to the alternative camp or those that challenge orthodox views in science, archeology, anthropology, etc. If this book doesn't fall into the guerilla scholarship or alternative camp category it comes really close.
Author Dr. Robert Schoch is of course the archeologist who some years ago, along with John Anthony West, shocked the scientific community and infuriated Dr. Zahi Hawass, Egypt's Director of Antiquity, by claiming that the Sphinx's construction predated Khufu, its alleged builder, by 3,000 years or more. While the controversy surrounding those claims has resulted in numerous books, both, pro and con, with no real accepted conclusions, in this book Schoch tries to develop the hypothesis that all of the pyramids constructed around the world have a common origin in Sundaland, which was inundated under 250 feet of water after the last ice age. If somebody could come across a pyramid or two (2), that predated the great pyramid, under that 250 feet of water it would certainly help Schoch's case, but be that as it may, Schoch, while not proving his hypothesis, does present a pretty convincing argument in support of his speculation.
Schoch begins with a discussion in review of the theories for the age of Giza and other pyramid type structures around the world. He then provides very convincing evidence for his claim that humans traversed both the Atlantic and Pacific oceans eons before Columbus's 1492 voyage, which is the orthodox view of the first contact with the new world. He discusses how early humans might have accomplished this as well as their possible motives for doing so. Schoch concludes with where they came from, arriving at the common roots in Sundaland 10,000 years ago.
This book probably has some of the longest, impossible to pronounce names, of people and places of any book that I have ever read; and a few maps of various parts of the world, particularly Europe, the Middle and Far East, and South America, would have helped a great deal in developing a mental picture of what was being related. All that aside, the book challenges the mind and causes one to think. I was particularly intrigued by Schoch's explanation as to how Moses was able to convince the pharaoh to allow him and his followers to leave Egypt, as well as Schoch's perfectly plausible explanation of what parted the waters of the Red Sea and subsequently drowned the pharaoh's army when the waters rushed back in.
While maybe not as convincing as Schoch's earlier work, "Voices of the Rocks", Schoch presents convincing arguments and if you are a "guerilla scholar" you're going to love this book.
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Reviewed in the United States on February 24, 2008
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