SKU: 72145633761
hyundai i10 dachzelt

hyundai i10 dachzelt Dachzelt Track für 2 Personen

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Description

hyundai i10 dachzelt Dachzelt Track für 2 PersonenFr die Puristen unter den Campern, die sich nach Einfachheit und Zuverlssigkeit sehnen, haben wir das Dachzelt Track entwickelt. Bei uns bekommst du ein hochwertiges Markendachzelt ohne Schnrkel, das dir zuverlssigen Schutz bietet, ohne dabei dein Budget zu sprengen. Es bietet Platz fr 2 Personen und ist mit 46kg so leicht, dass es problemlos auch auf Kleinwagen wie einen VW Golf oder T Roc passt. Highlights Sehr gutes Preis Leistungs Verhltnis

Für die Puristen unter den Campern, die sich nach Einfachheit und Zuverlässigkeit sehnen, haben wir das Dachzelt Track entwickelt. Bei uns bekommst du ein hochwertiges Markendachzelt ohne Schnörkel, das dir zuverlässigen Schutz bietet, ohne dabei dein Budget zu sprengen. Es bietet Platz für 2 Personen und ist mit 46kg so leicht, dass es problemlos auch auf Kleinwagen wie einen VW Golf oder T-Roc passt.

Highlights

  1. Sehr gutes Preis-Leistungs-Verhältnis
  2. Kompatibel mit allen Fahrzeugmodellen (Dachlast beachten)
  3. Bietet Platz für 2 Erwachsene
  4. Nur 46 kg Eigengewicht (auch für kleine PKWs geeignet)
  5. Inklusive Kaltschaum-Matratze mit Überzug
  6. Große Fenster inkl. Mückennetz
  7. Robustes Überdach schützt vor Regen
  8. Extrem flach mit nur 25cm Höhe in geschlossenem Zustand

Leicht und robust

Trotz seiner Leichtigkeit von unter 50 kg (mit Leiter) kann das Dachzelt Track den Elementen trotzen. Der Regenüberzug mit einer Wassersäule von 3000 mm hält das Innere des Zeltes trocken. Mit seiner dreiteiligen isolierten Aluminiumplatte schützt es dich zudem optimal vor Kälte.

Dachzelt für alle Fahrzeugmodelle

Unsere Dachzelte sind für alle Fahrzeugmodelle geeignet. Alles was du brauchst ist ein Dachträger (wir freuen uns natürlich, wenn ihr einen von horntools kauft, aber wenn ihr bereits einen anderen Dachträger habt, könnt ihr diesen auch gerne verwenden). Das Dachzelt wird dann auf dem Dachträger befestigt. Alles was ihr dazu benötigt ist bereits beim Dachzelt inkludiert. Egal ob, Jimny, Ford Ranger, Pickup, VW Bus, Kombi oder Golf - das Track passt auf jedes Auto. Beachte bitte jedoch die Dachlast deines Autos. Diese findest du in der Bedienungsanleitung oder im Internet. Die Dachlast muss ausreichend hoch sein, um das Dachzelt tragen zu können.

Außen kompakt, innen riesig

Durch sein geringes Gewicht und seine kompakten Maße ist das Dachzelt Track auch perfekt für kleinere PKWs geeignet. Innen ist das Dachzelt trotzdem sehr großzügig geschnitten: Mit der 2,10 m langen Matratze bietet es auch größeren Personen ausreichend Platz zum Ausstrecken und Entspannen.

Belüftung und Schutz

Das Zeltmaterial besteht aus hochwertigem und atmungsaktivem Segeltuch (280 g / m²), bestehend aus 80 % Baumwolle und 20 % Polyester mit einer Wassersäule von 2000 mm. Der atmungsaktive Stoff und die Fenster mit Moskitonetzen sorgen dafür, dass du stets frische Luft hast, ohne dass Insekten eindringen können.

Vorzelt optional erhältlich

Ein passendes Vorzelt ist optional erhältlich und wird per Reißverschluss schnell befestigt. Es schafft zusätzlichen geschützten Raum – zum Beispiel als praktische Umkleide.

Einfacher Aufbau in etwa 5 Minuten

Das Track Klappzelt ist in rund 5 Minuten auf dem Autodach aufgestellt. Ein paar einfache Handgriffe, herunterklappen des Zelts mittels Leiter und abspannen der Abspannstangen an den Fenstern - schon ist dein Track aufgestellt. Ein detailliertes Aufbauvideo für alle Klappzelt-Modelle findest du hier:

Eine detaillierte Erklärung zur Montage findest du in unserem Montagevideo:

 

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SKU: 72145633761

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4.6 ★★★★★
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J
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Joel Bradford
Massapequa, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
West Palm Beach, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Battle Creek, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
W
Verified Purchase
W.P.
Charlottesville, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
B
Verified Purchase
Basket Case
Carnegie, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012

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