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philodendron patriciae

philodendron patriciae Philodendron patriciae – Foliage Factory

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Description

philodendron patriciae Philodendron patriciae – Foliage FactoryPhilodendron patriciae Philodendron patriciae is a Colombian species from the Araceae family, known for exceptionally long, narrow, pendent leaves on an appressed climbing stem. Mature blades are dark green above, glossier beneath, and can become subtly undulated with age. This epiphytic Philodendron comes from wet tropical forest in Colombia, where the short stem roots closely against a vertical surface and the leaves hang below it. In cultivation,

Philodendron patriciae

Philodendron patriciae is a Colombian species from the Araceae family, known for exceptionally long, narrow, pendent leaves on an appressed climbing stem. Mature blades are dark green above, glossier beneath, and can become subtly undulated with age.

This epiphytic Philodendron comes from wet tropical forest in Colombia, where the short stem roots closely against a vertical surface and the leaves hang below it. In cultivation, it needs firm stem contact and open space under the foliage as the blades lengthen.

  • Leaf shape: Narrow ovate-lanceolate to elliptic blades that become long and pendent.
  • Leaf surface: Dark green and matte above, with a glossier underside.
  • Venation: Numerous lateral veins become clearer as the blade matures.
  • Growth habit: Appressed-climbing epiphyte from wet tropical forest in Colombia.
  • Indoor character: A vertical-growing species that needs height and clear hanging space.

Philodendron patriciae care for long pendent leaves

Grow Philodendron patriciae where the stem can root firmly and the leaves can hang freely. Warmth, stable moisture, high humidity and an airy root zone help new leaves expand cleanly and keep the long blades from marking or drying at the edges.

  • Support: Use a plank, pole or slab for close stem contact and clear space below the leaves.
  • Light: Bright indirect light, with protection from harsh direct sun that can bleach or dry the leaf surface.
  • Water: Water when the upper substrate begins to dry, then let the pot drain fully.
  • Humidity: Higher humidity supports smooth unfurling, especially while long new leaves are expanding.
  • Temperature: Keep warm and stable, ideally above 18 °C, with no cold draughts around the root zone.
  • Substrate: Use a chunky aroid mix with bark, coarse fibre and mineral structure for air around the roots.
  • Pot choice: Use a stable pot that can hold the support securely without compressing the substrate.
  • Repotting: Repot when roots fill the pot, the mix breaks down, or the support no longer sits firmly.
  • Fertilising: Feed lightly during active growth with a balanced houseplant fertiliser at diluted strength.
  • Growth rate: Growth is steady rather than fast indoors, with the best leaf size developing under warm, humid conditions.

Philodendron patriciae pruning, propagation and mineral substrates

  • Pruning: Remove damaged leaves close to the petiole base; avoid cutting the main stem unless propagation is planned.
  • Propagation: Propagate from stem sections with at least one node and aerial-root tissue, kept warm and evenly moist.
  • Semi-hydro: Suitable for mineral or semi-hydro substrates if the roots stay warm, oxygenated and never stagnant.
  • Training: Guide the rooting stem against its support early, before the pendent leaves become heavy.

Philodendron patriciae new leaves, spotting and pests

  • Stuck new leaves: Raise humidity around active growth and keep moisture consistent.
  • Leaf spots: Improve airflow if long leaves stay wet after watering.
  • Pale marks: Move away from harsh direct sun if the leaf surface starts to bleach or dry.
  • Root issues: Check the substrate if growth slows while the pot stays wet for too long.
  • Pests: Inspect new growth, leaf undersides and petioles for thrips, spider mites, mealybugs and scale.

Philodendron patriciae safety and botanical background

Philodendron patriciae contains calcium oxalate crystals; keep it away from pets and children and avoid sap contact if your skin is sensitive.

The genus Philodendron was published by Heinrich Wilhelm Schott in Wiener Zeitschrift für Kunst 3: 780 in 1829, with a name derived from Greek roots meaning “tree-loving.” Thomas B. Croat described Philodendron patriciae in Willdenowia 40(1): 117–118 in 2010. The epithet patriciae means “of Patricia” and honours Patricia Swope Croat.

As it matures, Philodendron patriciae becomes a distinctive climbing species with exceptionally long, narrow leaves that hang below the stem.

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SKU: 57203929329

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Wm. Rieppe Moore
Alexandria, US
★★★★★ 4
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Format: Paperback
Williams' poetry requires some bio, and Charles Tomlinson's introduction in this edition has proved helpful. also Wendell Berry has published a handsome critique in "William Carlos Williams of Rutherford" that helps to mitigate some of the ishiness that may result from reading Williams without understanding the man. that beins said, Williams speaks well to the listeners of the finical new millenium with a mind for the migrant-flux consequences of the coming century -stressing the "thing" and the "American idiom" with attention to detail and irrepressible imagination "flung outward and up-disappearing suddenly" (from "Strains" in Al Que Quiere)
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Reviewed in the United States on September 3, 2011
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rae desmond jones
Fort Morgan, US
★★★★★ 5
Above The River: The Complete Poems of james Wright
Format: Paperback
This volume is fascinating, because it does show the different stages of Wright's development as a poet and a writer (the prose sketches and descriptions of Italy are wonderful). The early poems are extremely capable but there is a sense in which they feel constrained by formal verse conventions, especially rhyme. This becomes evident when he writes in free verse and his voice becomes easier and more vernacular. Some of the poems like "Hook" and "To A Blossoming Pear Tree" are wonderful: 'An old man / Appeared to me once / In the unendurable snow./ He had singe of white beard on his face. / He paused on a strett on Minneapolis / And stroked my face. // Give it to me, he begged / I'll pay you anything. // I flinched. Both terrified, / We slunk away, / Each in his own way dodging / The cruel darts of the cold. " There are some late poems when he becomes almost incoherent, but the centre of the book is a whole series of poems as powerful and honest as this.
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Reviewed in the United States on March 21, 2011
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Jabbo&MsLove
San Leandro, US
★★★★★ 5
Seek and you will find. (Poems that speak to you)
Format: Paperback
I was not familiar with his work but have become a fan. Of course, as is true of my review of most poets work, I find more of the author's poems that I don't get or can't appreciate than ones I do; however, I found enough which moved me or had some profound impact that I am keeping this collection close for re-reading.
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Reviewed in the United States on December 17, 2025
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Jerry Mcginley
Alexandria, US
★★★★★ 5
Above the River: The Complete Poems of James Wright
Format: Paperback
James Wright is a terrific, though not well known, American poet of the 1950's and 60's. Along with Robert Bly and William Duffey, Wright helped to open a new page in modern poetry which encouraged writers to break from the restrictions of traditional British formats. Personal and reflective, the poems focus on nature and have a strong touch of influence from ancient Chinese poets. Though the collection is filled with great stuff, my favorite is "Northern Pike."
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Reviewed in the United States on October 10, 2010
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M. Swinney
Lake Worth, US
★★★★★ 4
Sublime Poetry Slightly Flawed by Format
Format: Paperback
I hate to give this work anything less than 5-stars, because at the moment (and probably most future moments) I revere James Wright's poetry. He makes blue collar blackened river Ohio come alive riven death with darkness and life. So this book is a must for poetry lovers. Where it distracts me is the attempts at completeness is a difficult editor's dilemma and one that doesn't serve the poet or the poet's reader well here. There are two James Wright's out there (this book presents three), as is true with most sublimated artist that pass through a learning phase before hitting on their voice, their style. James Wright started as a formalist (not my favored style) hailing structure and rhyme sometimes at the expense of meaning and language (disclaimer...one man's humble opinion belies a personal taste and no two taste buds seem the same). The book of course being a complete work, offers all of those poems of bandied prose. And then the editor offers a bridge or break of sorts in Wright's translated works of German and Spanish poets. Wright was a great poet in English, but the gift of gifted translation should have been left to the likes of W.S. Merwin, Anthony Kerrigan, Charles Tomlinson, and Stephen Mitchell for Neruda, Paz, and Rilke. So, Wright's "Above the River," really first breaks the surface on page 119 after his epiphany to all thing free form. It is then that his poetry sings darkly. I leave you with some of Wright's beautiful language (there's plenty to be had). Buy the book for the rest. In Fear of Harvests It has happened Before: nearby, The nostrils of slow horses Breathe evenly, And the brown bees drag their high garlands, Heavily, Toward hives of snow.
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Reviewed in the United States on September 30, 2003

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