SKU: 13670688325
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premio tarp Ticket To The Moon | Lightest Tarp | Ultralight tarp | Dark Green

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Description

premio tarp Ticket To The Moon | Lightest Tarp | Ultralight tarp | Dark GreenThe ultimate just in case camp cover Hammock camping is one of the most comfortable ways to get your head down outdoors. Until the heavens open, that is. And lets face it, whether youre camping in a balmy Scottish woodland at the height of summer or watching the day end from the sun beaten Cornish coastline, heavens door is perpetually ajar over the UK. Thats why we always pair our hammock with a trusty tarp even on the warmest, clearest days. When

The ultimate just-in-case camp cover

Hammock camping is one of the most comfortable ways to get your head down outdoors. Until the heavens open, that is. And let’s face it, whether you’re camping in a balmy Scottish woodland at the height of summer or watching the day end from the sun-beaten Cornish coastline, heaven’s door is perpetually ajar over the UK. That’s why we always pair our hammock with a trusty tarp — even on the warmest, clearest days. When you’re not sure whether one is needed, however, there’s no fun in lugging lots of potentially unnecessary kit with you. Which is why we love the Lightest Tarp from TTTM. Ultralight and tiny when packed away, it’s one of those items that will quickly find a regular home in your pack — all while being perfectly capable of keeping your campsite covered should the heavens do their thing in the middle of the night. Just like the original Moon Tarp, the Lightest Tarp delivers the same 250 cm x 250 cm of coverage – perfect for keeping a solo hammock and gear dry through the night – yet weighs less than 400 grams when packed with 4 guy ropes.

    • Made from 20D silnylon
    • Ultralight with a packed weight of less than 395 grams (when using only 4 guy lines)
    • Comes pre-seam sealed
    • Includes 8 carabiners, 8 quick-release tension buckles and 2 pegs
    • Expands to deliver 2.5 metres squared of protection
    • Fits over all standard TTTM hammocks
    • 10-year warranty on manufacturing defects and materials
    • Material: recycled 20D Ripstop Sil-Nylon, PFC-free
    • Dimensions: 250 cm x 250 cm, 350 cm diagonal
    • Weight: min. 395 g (4 guy ropes), max. 470 g (8 guy ropes, 2 pegs)
    • Waterproof 1500 mm
    • Includes 8x carabiners & 8x quick-release tension buckles, 2x Y pegs
    • Contrast color ridge line for easy set up with carabiners
    • Mesh pockets for all guy lines
  • Sustainability through longevity - Ticket to the Moon offers 10 years warranty against defects in workmanship & materials for this product.

  • Whether you're a seasoned tree-dweller or just hammock-curious, big-hearted Balinese brand Ticket to the Moon makes the best nylon parachute hammocks out there. Which they should, really, when you consider that these sultans of swing have been in the game since the 90s. Lightweight, quick-drying and machine-washable, their hammocks are handmade to the highest standards.

    In fact, the only real trouble with a Ticket to the Moon hammock is persuading yourself to roll out of it and set out on an adventure – but fortunately the speedy S-hook hanging system and specially designed pack sack make it a breeze to take your hammock with you on your travels.

    In a world of outsourcing, murky supply chains and exploitative manufacturing processes, Ticket to the Moon’s approach is refreshingly straightforward. All their stuff is designed and produced in-house at their Bali HQ – where the folk making your hammocks get good salaries, decent working hours and pensions, plus a cut of the annual profits. And it must be a pretty sweet place to work because they reckon no-one's handed in their notice since 1996. Materials are locally sourced and often reclaimed or upcycled, while for more than 15 years they've also been funding a foundation that works with indigenous Sumbanese Kodi people in Indonesia to help improve their living conditions and resilience. All of which is nice to think about as you swing gently from side-to-side in the sunshine.

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SKU: 13670688325

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4.4 ★★★★★
Based on 16 reviews
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M
Max
Lake Worth, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Omaha, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2001
I
I X Key
Dallas, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Carnegie, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Lowell, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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