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Description
bern fahrradhelm test Bern Hudson MIPS eBike HelmetBern Hudson MIPS Bike Helmet Color: Matte Sand The Hudson is an award winning helmet that delivers that Bern low profile styling in a lid that meets the new NTA 8776 safety standard. Translation this thing is rated up to 27mph, meaning youre covered whether youre hopping on an e bike, a scooter, or any other juiced up ride. More protection, less bulk, and added visibility with a snap (literally) using our integrated click mount light. Call it micro
Bern
Hudson MIPS Bike Helmet
Color: Matte Sand
The Hudson is an award-winning helmet that delivers that Bern low-profile styling in a lid that meets the new NTA 8776 safety standard. Translation … this thing is rated up to 27mph, meaning you’re covered whether you’re hopping on an e-bike, a scooter, or any other juiced-up ride. More protection, less bulk, and added visibility with a snap (literally) using our integrated click-mount light. Call it micro-mobility, electro commuting or COMMON. SENSE. Stay out there with the helmet that keeps you looking good and feeling safe on your next e-whatever adventure.
- Find your perfect fit with Bern’s compass fit system. Simply twist the dial to adjust to your custom fit, keeping your head snug and secure. Due to its light weight, this system will feel as if the helmet were custom made for your comfort.
- Bern’s custom-integrated LED light is lightweight and easy to use. This light brings ~6.6 lumens, micro-USB rechargeable, lasts up to 10 hours, water resistance, and has three light settings (steady, flash, and pulse). Simply click in place and ride on.
- Multi-Directional Impact Protection System. Designed to protect against rotational violence to the brain caused by rotational impacts.
- Use these U-lock compatible reinforced vents at the back of the helmet to keep your helmet secure when it’s not on your head.
- While the standards address force sustained in direct impacts, the Mips component is tested to help reduce your brain’s internal rotational motion in an impact, the types of injuries that can lead to concussions. During an impact, the Mips low friction layer allows the helmet to slide 10-15 millimeters in all directions, reducing some of the rotational motion to the brain vs. helmets without Mips.
Product Specifications:
- Complies with U.S. CPSC Safety Standard for Bicycle Helmets for Persons Age 5 and Older
EN1078
NTA8776 - Construction: In Mold
- Fit System: Compass Fit
- Vents: 13
- Light Features: 6.6 Lumens, Micro USB Rechargeable, 3 Light Modes (Steady, Flash, & Pulse), Lasts up to 10 hours, Water resistant
- Avg. Weight: 370 grams.
Sizing:
To find your perfect fit, you'll need a measuring tape and your head.
Measure around your head (in centimeters), taking the measuring tape just above the ears and about an inch above the brow line.
Use your measurements and the size chart below to figure out which helmet size is best for you!
Small: 52 - 55.5cm, Hat Size: 6 1/2 - 7
Medium: 55.5 - 59cm, Hat Size: 7 - 7 3/8
Large: 59 - 61.5cm, Hat Size: 7 3/8 - 7 7/8
Product information provided by Bern
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4.7 ★★★★★
Based on 7 reviews
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Product Reviews
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands.
"While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
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Reviewed in the United States on September 15, 2011
★★★★★ 4
Worth Watching Crime Drama
I almost stopped watching this film early on because I found the behavior of the cashier's wife so annoying and insufferable. I stuck with it though. It is almost as if it is a crime re-enactment show because of the voiceover narration. In one of the close to final scenes, I thought "This is Kubrick, alright." It is interesting that I watched a film yesterday, "Dead End" in which some of the characters believe that the only life worth living is one with material wealth as do some of the characters in this film. How sad. Maybe that belief is what kills what has real worth. Maybe it is that belief that leads one to a dead end.
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Reviewed in the United States on October 6, 2025
★★★★★ 5
Excellent.
kubrick's first i think. an excellent b/w noir crime film. very influential. sets the standard. must see.
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Reviewed in the United States on June 5, 2026
★★★★★ 5
2 Early Kubrick Films in 1 Thrilling Package
The most important thing for the buyer to know about The Killing Criterion Blu-Ray is that it collects 2 of Stanley Kubrick’s earlier films: The Killing (1956) and Killer’s Kiss (1955). Even though the Killer’s Kiss title is not on the box, it is present as an extra, along with its trailer.
Other than that, you can expect the usual from a Criterion Collection release. For those who don’t know, that means terrific quality and presentation, with loads of extra supplementary material.
As far as the movies themselves go — unlike Fear and Desire, I can actually recommend these two movies as movies, as opposed to morbid curiosities of Kubrick fanatics. They are both pretty intense crime thrillers and just a ton of fun. This is Kubrick before he makes big studio movies with big budgets, but after he’s gained more of the experience and sophistication he would later be known for. The product feels raw, gritty, sometimes intimate, and gives you a look at his NYC roots. Kubrick is still an underdog at this stage in his career. So, would definitely recommend for Kubrick fans, and just crime thriller fans in general
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Reviewed in the United States on December 11, 2022