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gravel bike shimano grx Handsling A1R0evoG Shimano GRX RX827 Di2 1x Gravel Bike A1R0evoG / 56Aerodynamic speed meets 1x simplicity in the Handsling A1R0evoG Shimano GRX827 Di2 1x gravel bike. The Handsling A1R0evoG is more than just a gravel bike it's your ultimate companion for every ride, from challenging off road escapades to fast paced road adventures. Born from the DNA of our acclaimed A1R0evo and CEXevo frames, the A1R0evoG delivers a familiar, confidence inspiring ride with an added layer of go anywhere capability. Engineered for
Aerodynamic speed meets 1x simplicity in the Handsling A1R0evoG Shimano GRX827 Di2 1x gravel bike.
The Handsling A1R0evoG is more than just a gravel bike – it's your ultimate companion for every ride, from challenging off-road escapades to fast-paced road adventures. Born from the DNA of our acclaimed A1R0evo and CEXevo frames, the A1R0evoG delivers a familiar, confidence-inspiring ride with an added layer of go-anywhere capability.
Engineered for Performance and Durability:
Crafted for the rough stuff, the A1R0evoG features an aerodynamic design that lets you slice through the wind while tackling the toughest trails. We've built this frame without gimmicks, focusing on pure durability and an incredibly light weight of approximately 880g (for a 52cm). This is a bike designed to last, no matter how demanding your rides get.
Unmatched Versatility:
From gravel and mud to sand and asphalt, the A1R0evoG handles it all with ease. With clearance for tyres up to 55mm, you can customise your ride for any conditions. Slap on mudguards for dry winter miles, fit big road tyres for audax events, or equip it with frame bags and racks for fast touring – the A1R0evoG adapts to your every need.
Key Frame Features for an Optimal Ride:
- Adaptable Tyre Clearance: Up to 55mm for ultimate versatility.
- Stable Geometry: Long, low, and relaxed geometry, combined with a higher headtube and stack height, ensures superior visibility and off-road positioning.
- Enhanced Traction & Stability: A tight rear triangle positions you perfectly over the rear tyre, while a low bottom bracket and relaxed headtube angle provide stability and traction on any surface.
- Efficient Power Transfer: The T47 internal BB offers a wide bottom bracket shell for exceptional stiffness and power transfer, plus easy maintenance.
- Aero-Optimised Comfort: The trademark aero-into-27.2 seattube, borrowed from the A1R0evo, maximises speed and comfort, allowing for the use of a dropper post if desired.
- Race-Proven Aerodynamics: Truncated aerofoil tube shapes, directly from the A1R0evo, deliver race-proven aerodynamic efficiency.
- Integrated Utility: Multiple hidden mudguard and rack mounts, plus a plethora of bottle cage bolt holes, make it ready for any adventure.
Experience Flawless 1x Shifting with Shimano GRX827 Di2:
Equipped with the new Shimano GRX827 Di2 electronic 1x groupset, the A1R0evoG takes your riding to the next level with simplified yet precise shifting. Benefit from WorldTour-proven electronic shifting that offers a wide gear range, ensuring a comfortable cadence whether you're hammering a race, cruising country lanes, or climbing steep backcountry trails.
GRX827 1x Highlights:
- Electronic Precision: Seamless, reliable, and precise electronic shifting for every terrain.
- 1x Simplicity: A single chainring setup reduces complexity, weight, and offers intuitive shifting.
- Optimised Gearing: Paired with an 11-45T or 10-51T cassette, you'll have the range needed for any climb or sprint.
- Wireless Gravel-Specific Cockpit: Raised hoods with ribbed texture and anti-slip brake levers provide ultimate hand security, enhanced by a third Di2 button for extra control.
- E-TUBE PROJECT Customisation: Personalise shift speeds, button assignments, and shift modes via the E-TUBE PROJECT Cyclist app.
- SHADOW RD+ Technology: A convenient on/off switch for the rear derailleur makes wheel removal easy and ensures a quieter, more precise ride when engaged.
- Optimised Tyre Clearance: A wider +2.5mm chainline improves tyre clearance, allowing for your ideal setup.
- Seamless Integration: New gravel-optimised dual control levers offer a smoother transition from handlebar to hood for enhanced comfort on long rides.
Paired perfectly with some rugged gravel wheels, the Handsling A1R0evoG with GRX827 1x provides the ultimate connection between you and the road, no matter how remote or rugged.
Ready for your next ride, race, or multi-day adventure – the Handsling A1R0evoG ensures you have the right gear to get you to the finish line, worry-free.
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4.5 ★★★★★
Based on 10 reviews
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Product Reviews
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section.
When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes:
"another woman" "in uniform" "from above ground"
"entered" "the train" "She was fireproof" "she wore gloves, & she"
"took" "the baby" "took the baby" "away from the"
"mother" "Extracted" "the burning baby" "From the fire" "they
made together" "But the baby" "still burned"
("But not yours" "It didn't happen" "to you")
"We don't know yet" "if it will" "stop burning,"
"said the uniformed" "woman" "The burning woman" "was crying"
"she made a form" "in her mind" "an imaginary" "form" "to
settle" "in her arms where" "the baby" "had been" "We saw
her fiery arms" "cradle the air" "She cradled air" ("They take your
children" "away" "if you"re on fire")
"In the air that" "she cradled" "it seemed to us there" "floated"
"a flower-like" "a red flower" "its petals" "curling flames"
"She cradled" "seemed to cradle" "the burning flower of" "herself gone"
"her life" ("She saw" "whatever she saw, but what we saw" "was that flower")
After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns.
The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book.
The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole.
If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems.
The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses.
I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book.
I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down.
I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long.
Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
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Reviewed in the United States on August 24, 2015
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