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Description
e bike cube reaction hybrid 500 Cube Reaction Hybrid Performance 500The Full Scoop on the Cube Reaction Hybrid Performance 500 Description Motor System Components Extras Geometry Previous Model Year Specs Take the road less travelled, and see where it takes you. The Cube Reaction Hybrid Performance 500 takes the power of Bosch's Performance Line Motor and adds sophisticated PowerTube design and easy to use Shimano 9 speed gears. A comfy saddle and lock on grips with a 100m Suntour suspension fork ensure you're
The Full Scoop on the Cube Reaction Hybrid Performance 500
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*Components subject to manufacturer changes
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Motor Bosch Drive Unit Performance Generation 3 (75Nm) Cruise (250Watt), Smart System Battery Bosch PowerTube 500 Display Bosch LED Remote Charger Bosch 4A -
Frame Aluminium Superlite, Gravity Casting, Agile Ride Geometry, 1.5 Headtube, Full Integrated Battery, Internal Cable Routing, Kickstand/Fender/Carrier Mounting Parts Fork SR Suntour NVX30 Coil, 100mm Rear Shock Not applicable Front Brake Shimano BR-MT200/UR300, Hydr. Disc Brake, PM/FM (180/180) Rear Brake Shimano BR-MT200/UR300, Hydr. Disc Brake, PM/FM (180/180) Rear Derailleur Shimano RD-M3100-SGS, 9-Speed Shift Levers Shimano SL-M3100-R, Rapidfire-Plus Chain KMC X9 Cassette Shimano CS-HG201, 11-36T Crankset ACID E-Crank, 175mm, 38T Chain Ring Spec not provided Chain Guard Spec not provided Rims Rodi Blackrock 23, 32H, Disc, Tubeless Ready Front Hub Shimano HB-TX505, QR, Centerlock Rear Hub Shimano FH-TX505, QR, Centerlock Front Tire Schwalbe Smart Sam, Active, 2.35 Rear Tire Schwalbe Smart Sam, Active, 2.35 Handlebar Cube Rise Trail Bar, 720mm Stem CUBE Performance Stem E-MTB, 31.8mm Headset ACROS AZF-1031, 1 1/8" straight, Top Zero-Stack 1 1/2" (ZS 56mm), Bottom Zero-Stack 1 1/2" (ZS 56mm)
Saddle Natural Fit Sequence Seatpost Cube Performance Post, 30.9mm -
Pedals ACID PP MTB Front Light Not applicable Rear Light Not applicable Kickstand Not applicable Rear Carrier Not applicable Fenders Not applicable Bell Not applicable Lock Not applicable Mirror Not applicable -
Chart/mm 14" / 27.5 / XS 16" / 27.5 / S 18" / 29 / M 20" / 29 / L 22" / 29 / XL 24" / 29 / XXL -
Motor Bosch Drive Unit Performance Generation 3 (65Nm) Cruise (250Watt) Battery Bosch PowerTube 500 Display Bosch Purion Charger Bosch 2A Frame Aluminium Superlite, Gravity Casting, Agile Ride Geometry, Tapered Headtube, Internal Cable Routing, Full Integrated Battery, Kickstand/Fender/Carrier Mounting Points Fork SR Suntour NVX30 Coil, 100mm Rear Shock Not applicable Front Brake Shimano BR-MT200, Hydr. Disc Brake (180/180) Rear Brake Shimano BR-MT200, Hydr. Disc Brake (180/180) Rear Derailleur Shimano RD-M3100-SGS, 9-Speed Shift Levers Shimano SL-M3100-R, Rapidfire-Plus Chain KMC X9 Cassette Shimano CS-HG201, 11-36T Crankset ACID E-Crank, 175mm, 38T Chain Ring Spec not provided Chain Guard Spec not provided Rims Rodi Blackrock 23, 32H, Disc, Tubeless Ready Front Hub Shimano HB-TX505, QR, Centerlock Rear Hub Shimano FH-TX505, QR, Centerlock Front Tire Schwalbe Smart Sam, Active, K-Guard, 2.35 Rear Tire Schwalbe Smart Sam, Active, K-Guard, 2.35 Handlebar Cube Rise Trail Bar, 720mm Stem CUBE Performance Stem Pro, 31.8mm Headset 27.5: ACROS AZX-1041, BlockLock 135°, 1 1/8" straight, Top Zero-Stack 1 1/8" (ZS 44mm), Bottom Zero-Stack 1 1/2" (ZS 56mm) // 29: ACROS AZF-1039, 1 1/8" straight, Top Zero-Stack 1 1/8" (ZS 44mm), Bottom Zero-Stack 1 1/2" (ZS 56mm)
Saddle Natural Fit Sequence Seatpost Cube Performance Post, 30.9mm< Pedals ACID PP MTB Front Light Not applicable Rear Light Not applicable Kickstand Not applicable Rear Carrier Not applicable Fenders Not applicable Bell Not applicable Lock Not applicable Mirror Not applicable
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4.7 ★★★★★
Based on 23 reviews
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Product Reviews
★★★★★ 3
Not the best, but not the worst either
Format: Hardcover
By any means not the funniest book in the series, only the one on Krusty the Clown was more un-funny; but still a worthy addition to your collection and, just like all the others from the series providing a retrospective of anecdotes you might have forgotten.
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Reviewed in the United States on July 22, 2012
★★★★★ 1
One Star
Format: Hardcover
The book I received had 3 pages cut out of it.
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Reviewed in the United States on August 17, 2014
★★★★★ 2
Not that great
Huge "The Simpsons" fan. I watched all the episodes and read a lot of the comics and enjoy most. This one however was quite boring. Turns out I'm just not a big fan of Chief Wiggum. I really enjoyed The "Homer" and "Bart" book. But not this one. Maybe if you love Wiggum you'll love it. If you're not too fond of him then I wouldn't buy it.
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Reviewed in the United States on March 28, 2013
★★★★★ 3
Good for my collection.
Format: Hardcover
This was another quick and entertaining read. This instalment wasn't as enjoyable as some of the other books but it was still good. I'm glad to have it in my collection.
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Reviewed in the United States on May 27, 2014
★★★★★ 5
Alan Moore Does it Right, and Bolland Art Revision is Amazing
Format: Hardcover
The Killing Joke was a comic spawned shortly after the work of Frank Miller, and is probably the comic that established The Joker as one of the most important fictional villains of the 20th century. Batman had become a well thought out, complex character in recent years, primarily due to the work of skilled writer Frank Miller. Batman had been brought into a gritty, modern world of comic books, but I always felt that Miller's The Dark Knight Returns failed to bring the antagonistic Joker into a new light...well it did, but not in the way the character was meant to be. Alan Moore, with the help of Brian Bolland's stunning artwork helped bring to life what is widely accepted as today's standard for the famous Harlequin of Hate.
He's crazy, he kills people simply for his own twisted sense of humor, but always has a very zany, cartoonish attitude, which I felt was lacking in Miller's interpretation, where Joker seemed much too serious in appearance, dialogue, and action. The Joker presented in this graphic novel truly is a fiendish jester of fate, who for the most part is truly frightening, but never really acts like anything more than a loon. Bolland's art is very helpful in this aspect, not only bringing the Joker's exaggerated, skeletal body to life, but making it perhaps the most anatomically correct Joker ever seen, while still following the style of the 1970s Joker appearances.
The story revolves around the long struggle between Batman and his foe, and their never ending conflict. Joker, having escaped from Arkham Asylum (again), has decided to prove that one bad day can transform any sane man into a monster, such as himself. Taking possession of an old carnival he's ready to do whatever it takes to prove his point, with the assistance of a circus freak show. Meanwhile The Dark Knight questions himself on how this fight will end; coming to the realization that sooner or later one of them would kill the other, unless they tried to reason it out. A hopeless plan by our hero, but he has to at least try a single time to reason with his arch-nemesis, just so he can say he tried.
While Batman leads the hunt for the psychotic clown, Joker decides to prove his theory, kidnapping Commissioner Gordon, and shooting Barbara Gordon (Batgirl) through the spine (she never walks again). This is one of the most villainous acts in the history of comics; simply because of how pointless the shooting was, considering Barbara wasn't even in the character of Batgirl. She was just a bystander who Joker decided to use as a tool for his plot. Everyone is a puppet, or tool in his mind.
He does this act all of this while wearing a stereotypical beach-going tourist's attire, complete with a large camera, the only exception being his wide-brimmed, purple hat, which conceal his eyes. These are the eyes of a madman, and in one of the comic's final pages his eyes are concealed in shadow once again, before they come out and you see him for the hopeless case he truly is.
The story sets the stage for the most widely accepted Joker back-story through a series of flashbacks, showing him as a failed comedian with a pregnant wife, and soon winds up assisting criminals, and falling victim to tragedy. The character is shown to have had one bad day and that is how he ended up as the smiling super villain who has plagued Gotham City for decades. Of course this back-story isn't necessarily true, being that it comes from flashbacks spawned from Joker's mind, and as he famously states in his confrontation with Batman "If I'm going to have a past, I prefer it to be multiple choice!"
Gordon's capture and torture leads to a fight between these two iconic characters, where Batman tries to see if it is possible to reason with Joker logically, but the villain doesn't even try to lie about what is obviously in store for them. He can never be reasoned with, and won't stop until he's dead, and Batman refuses to kill him so it's a sick cycle that goes round and round. In the end of The Killing Joke the roller coaster has only been reset and it will only be a matter of time before Joker is back on the streets, killing again with some new, random scheme which will only make sense to him alone, depending on the mood he's in at the time, or which version of his past he remembers.
Alan Moore's story is sick, it's disturbing, and doesn't fail to leave the reader in a state of awe. The only problem is that by the end you crave for more! The story practically brings you to the point of begging for a sequel, or expansion which will probably never come. This is a one-shot story, and should remain that way, or else the original's impact may be lost. I don't have a single friend who doesn't think The Killing Joke is one of the most twisted, sick, most perfect stories of the comic medium. It's short, but it delivers a powerful punch!
Brian Bolland's art makes this short graphic novel a masterpiece, providing some of the best art ever seen in the characters' long history, only rivaled (in my opinion) by the art of Alex Ross. Joker really is frightening to look at here, because he doesn't look like a real person in most aspects, but Bolland manages to make this character incredibly believable in appearance, without taking any liberties of changing the body type into something more universal. The tall, skeletal body of the 1970s comics is preserved for the most part, except for the narrowing of the chin, which improves the look even further (hence why it's universally used in today's comics).
Recently I got the hardcover anniversary edition of The Killing Joke, with the artwork being edited by Brian Bolland, and re-colored by Bolland personally the way he intended it to be seen. I must say that I love the changes to the colors, more so than the cheery, bright colors of the original, which I felt distracted from Bolland's line-art, because the colors were way too traditional comic book, not fitting the intensity of the art. These colors are dark, gritty, and really captures to mood of the story more effectively than the bright colors of the original release. I especially love the flashbacks being in black and white, except for concentrating on objects that reflect the color red, which leads up to him taking on the garb of The Red Hood, before his first confrontation, leading to his ultimate disfigurement and insanity. This is a seriously talented artist and I only wish he was presented with more opportunities to draw these characters. Batman and Joker look their very best in these images, and I'd be hard pressed to find a comic with better consistency of art quality.
The Killing Joke is one, if not THE best story in the history of Batman comics, and rightfully earns my rating of 10/10 stars.
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Reviewed in the United States on November 11, 2008
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