SKU: 30330741864
saz pedal

saz pedal Soundiron Electric Saz

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Description

saz pedal Soundiron Electric SazClick Here for MP3 Demos [split] About Contents Kontakt Format Specifications Videos The Electric Saz is a deeply multi sampled fretless acoustic electric 5 string Saz Baglma from the streets of Turkey, where master craftsman have been building them by hand for centuries. This modern evolution of the instrument was recorded through a custom array of pick ups. We painstakingly sampled all three string runs (low octave, middle and high unison) with 12x

Click Here for MP3 Demos

 

[split]

 

The Electric Saz is a deeply multi-sampled fretless acoustic-electric 5-string Saz Baglâma from the streets of Turkey, where master craftsman have been building them by hand for centuries. This modern evolution of the instrument was recorded through a custom array of pick-ups. We painstakingly sampled all three string runs (low octave, middle and high unison) with 12x round robin and up to 6 velocity layers for open notes going up 1.5 octaves per string. We also captured palm mutes, string chokes, releases and tons of percussive effects.

We carefully sampled a wide legato, or “slide” range for all three runs of strings with multiple velocity layers and 4x round robin. the Saz interface offers full control over how a note is played and which string it is played on. Hammer-on, pull-off, slide, choke and palm mute are all controlled per-string.

We’ve also included an intelligent auto-strumming system. There are special patches for creating custom tunedpercussion blends, effects, Uberpeggiator and of course ambiences. It also has a dynamic and adaptive arpeggiation system, capable of freestyle and 32-step tempo-synched humanized groove creation and chord/key constraint. The FX rack gives you access to Chorus, Flanger, Phaser, Dynamics, Drive (featuring 4 different effects), 2 amp sims, 8 cabs, EQ, Filter, tempo-synched Delay and convolution Reverb with dozens of custom room and FX impulses.

 

  • Open notes covering 1½ octaves per string (12x RR)
  • Note releases covering 1½ octaves per string (12x RR)
  • Palm Mute notes covering 1½ octaves per string (12x RR)
  • Choked notes per string (12x RR)
  • True legato "slide" samples covering over an octave per string (4x RR)
  • 5 Different body impacts (12x RR)
  • Each Pick-up (Bridge and Neck) Sampled Separately
  • A variety of string scrape effects
  • Dozens of finger slide sound effects ranging from short to long
  • 22 sound design ambient pads and leads built from bowing, eBowing and other methods

The Electric Saz includes a brand new innovative interface for amazing control:

  • Performance controls closely simulate real-world saz Functionality
  • Tuned Percussion preset type that allows two simultaneous yet independently controlled layers.
  • 70 custom environmental, room and FX reverbs integrated into every preset
  • The Uberpeggiator meta-arp system with velocity step sequencer, humanization, adaptive modes, roll simulation, chord and scale control and custom pattern loading (K5 only)
  • The Strumulator strumming system provides easy 1-key strums based on 12 different chords using multi-samples.
  • The Uberpeggiator meta-arp system with velocity step sequencer, humanization, adaptive modes, roll simulation, chord and scale control and custom pattern loading (K5 only)
  • The Glissatron arppegiation system provides easy 1-key glisses and arpeggios based on a variety of scales with customizable rhythm, direction, velocity and humanization.
  • Powerful new FX Rack with 8 fully-automatable FX modules from distortions to reverb.

 

You’ll need the full retail version of Kontakt 4.2.4 or later to use the K4 nki instrument presets included in this library. However, a number of advanced K5 instrument presets are also included that do require Kontakt 5.1 or later. Kontakt is an industry-standard advanced virtual instrument / software sampler platform. Learn more about Kontakt by Clicking Here

Check out screenshots of our custom graphical user interface for Kontakt in the image gallery above. They provide a wide range of sound shaping parameter controls, each one totally automation-ready in your host environment or Kontakt's stand-alone mode.

This is a standard Kontakt open-format library, so the free Kontakt Player doesn't support this open-format Kontakt library. However, the sample directories are fully accessible to allow user customization, import and mapping into other wav-compatible software, sampler and synth formats.

The special Libraries tab doesn't support this open-format Kontakt library, but you can use the standard File browser tab, or import this library into the Kontakt database and Quickload tools for easy navigation, loading and organization.

 

Product Specs

  • Product Version 1.0
  • 12.7 GB installed
  • 13,745 Samples
  • 17 Kontakt 5.1 instrument presets (legacy)
  • 15 Kontakt 4.2.4 instrument presets
  • 24 bit / 48kHz uncompressed PCM wav samples
  • Unlocked Kontakt presets and wav samples to allow user customization

Documentation

System Requirements

The full retail version of Native Instruments Kontakt version 5.1 (or later) is required to use .nki instrument presets included in this library. We've also included legacy K4.2.4 versions of the main presets as well for Kontakt 4 users. The free Kontakt "Player" and "Add Library" import process do not support this standard open-format Kontakt library. Windows XP or higher. Mac OSX 10.6 or higher. Dual Core CPU, 2 GB System Ram, SATA or SSD hard drive recommended for this library.

Note: This digital product is delivered as a download via the Amazon S3 cloud network. A broadband internet connection is required. Please see our Help Page for licensing information, download and installation instructions, tutorials and to read our End User Licensing Agreement before ordering. All sales are final.

 

 

 

 

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SKU: 30330741864

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4.9 ★★★★★
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Product Reviews
A
Verified Purchase
Alex Thompson
West Palm Beach, US
★★★★★ 5
Very fair and academic
Format: Paperback
Very good book. I agree with the authors conclusion and felt the portrayal was both fair and academical.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 21, 2026
C
Verified Purchase
C. Rohner
Whiting, US
★★★★★ 5
As Close As You Will Get To Objectivity
Format: Paperback
If you have read "No Man Knows My History," you have to read "Rough Stone Rolling." The former biography was written by Fawn Brodie, a scholar who grew up LDS but left the church disenchanted and not believing that Joseph Smith was what he claimed to be--a prophet. The latter written by Bushman, a practicing LDS scholar who believes that Joseph Smith was a prophet. In the preface of "Rough Stone Rolling," Bushman makes the legitimate point that there will never be consensus on Joseph Smith's character or achievements. Furthermore, he confesses that as a believing historian, pure objectivity is impossible. Nonetheless, I think he comes closer to pure objectivity in this history than any other I have read on Joseph Smith. This has to be one of the best biographies I have ever read. The book is well written, loaded with historical fact, and any assumptions that are made are within detailed, historical contexts. Unlike Brodie's biography, it is very difficult to ascertain Bushman's own opinion. If he had not confessed his belief in the preface, you would wonder. Nowhere does Bushman try to convince you that Smith was a prophet and he is not afraid to explore Joseph Smith's weaknesses and shortcomings as a man. I am a believer so I admit that I may just relate to Bushman better than Brodie. Still, I know many practicing Mormons that would not like this book simply because they have to have Joseph Smith on a pedestal, untouchable, and locked in a glass case. I also know many faithful non-Mormons who believe that a prophet is certainly not a god but is definitely something more than human. Such readers will probably not care for this book either. I believe Joseph Smith was a prophet but I also know he was a man with weaknesses, like every other prophet that came before him. In Bushman's own words, "flawless characters are neither attractive or useful." This is a history of a man; it is not scripture. After boldly claiming heavenly visions, Joseph Smith penned a few great books of scripture that are well worth reading if you really want to explore the faith. Fawn Brodie takes the title for her biography from Joseph Smith's own admission in 1844 that "No Man Knows My History" and paints, in her opinion, the delusion and deceit behind Smith's confession. Bushman takes the title for his biography from Joseph Smith's own admission in 1843 that he is a "Rough Stone Rolling" and gives you the most real, honest, and fair assessment of his life that I have ever read. He gives you the man Joseph Smith, with his strengths and weaknesses, and leaves the opinions to the reader.
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Reviewed in the United States on November 15, 2013
J
Verified Purchase
J. A. White
Boise, US
★★★★★ 3
Comprehensive, but not convincing to this non-believer
Format: Paperback
Having previously read Fawn Brodie's , I read this one to get the believer's view. Bushman is at his best describing the evolution of Smith's thinking and revelations. Although the book is long, it is well written and authoritative. It gives a deeper understanding of Smith's religious philosophy than does Brodie's book. To his credit, Bushman confronts many of the crucial controversies surrounding Smith. From my non-believer's perspective, however, the defenses of Smith are not remotely convincing. Some examples: 1. DNA analysis shows without question that the American Indians came from east Asia. This fact is in direct contradiction of the traditional LDS view that Native Americans are lost Israelites. Bushman argues that Smith may have been writing about a small tribe somewhere in New York, or about people outside North America altogether. Within a few pages, Bushman has forgotten about this controversy altogether, and happily describes the Book of Mormon as a history of the American Indians. 2. Smith made the huge mistake of reproducing parts of the hieroglyphics he claims to have interpreted as the "Book of Abraham." These documents have been translated by scholars and have nothing to do with Abraham. Bushman (pp. 291-2) puts forth the argument that Smith's translation may not have been a true translation, but instead may have been a divine revelation simply inspired by the presence of the scrolls. Bushman suggests the same for the Book of Mormon. This is a truly shocking stance for an LDS believer to take: if Smith's "translations" weren't translations, why should anyone believe that his revelations were divinely inspired? Ironically, Bushman's view here sounds much like Brodie's: Not anticipating that scholars would use the Rosetta stone to translate hieroglyphics, Smith imagined that bogus translations would not be found out. 3. Smith repeatedly lied about whether he and the Saints were practicing polygamy. Bushman's defense of Smith in this context reminds me of Bill Clinton's statements regarding Monica Lewinsky: Smith held a secret definition of the term "polygamy," and thus felt free to mislead (or lie) with impunity. The facts, as reported by both Brodie and Bushman, support the conclusion that Smith coerced women into his bed by arguing that their eternal salvation was at stake. The stain of Smith's lustful "revelation" regarding polygamy continues to haunt the LDS, which claims to recoil from earthly polygamy but argues that men (not women) get to have harems in heaven. Despite these complaints, I recommend this book to non-believers who are patient enough to get through it. I feel that I have much greater insight into the LDS mindset than I did before.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 21, 2008
I
Verified Purchase
Ian
Houston, US
★★★★★ 5
The definitive paperback edition
Format: Paperback
I purchased the Oxford World's Classics edition of "Le Morte d'Arthur: The Winchester Manuscript" for a school reading assignment, and I can say with confidence that this is the version you want. The original Old English is present (it was virtually a new language), complete with very useful footnotes to assist with antiquated words and phrases. The story was intriguing, colorful, and poignant (it's a downer, but a well-written one), filled with memorable characters such as Sir Gareth and Sir Launcelot. If you have a taste for classic literature and are looking for a challenge, definitely give "Le Morte d'Arthur" a read, especially with this version.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 1, 2023
J
Verified Purchase
Josephine DiNovo
Boise, US
★★★★★ 5
This copy is an excellent modernization of Malory's text with helpful footnotes and endnotes
Format: Paperback
I got this book for class, so I've only read large segements of it. This copy is an excellent modernization of Malory's text with helpful footnotes and endnotes. The footnotes were always available to explain unfamiliar words without interrupting the flow of the story.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 18, 2016

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